Sima Electronics was founded in 1980, born of a passion to offer consumers an alternative to mass market audio products. Sima products (as they were then called) quickly gained a reputation for outstanding value for money, and were consequently highly regarded by aficionados and enthusiasts. Although the earliest products were aimed strictly at professionals, the audiophile community rapidly took note of the sonic excellence, and most models of the 1980s were used in home environments. The passion for music, company philosophy, and the engineering excellence evident from the company’s early years paved the way for success.
40 years
of Heritage
Discover the products that are part of the history and the reputation of Simaudio.
Electronics
Audio and music engineer, Aficionado Victor Sima creates Sima Electronique in St. Hubert, Quebec, with the goal of providing high-performance music reproduction without the frills, bells & whistles.
The 1990’s saw the introduction of the Celeste series of products, and the company was reorganized into Simaudio Ltd. Our original “Renaissance” circuitry for amplification was first implemented at this time. These famous oval-faced products became instantly recognizable for both their elegant appearance and transparent sonic signature. Stereophile Magazine gave the W-4070 Power Amplifier a benchmark review for its sub-$1,500 price, calling it “a remarkable achievement at any price” and awarded it a position in their coveted “Recommended Components”.
The Celeste i-5080 integrated amplifier combined numerous technologies found in Simaudio MOON preamplifiers and power amplifiers. Offering very high quality sonic performance, it was the predecessor to the MOON i-5. Features include remote control operation, 80 watts per channel into 8 ohms and a preamplifier output.
An oversized power supply. |
A custom proprietary toroidal transformer design with lower magnetic, electrical and thermal loss, yielding a much better power transfer and lower regulation factor, resulting in improved current speed and better dynamics. |
An extremely short capacitor-free signal path measuring under 20 inches in length from input RCA’s to output binding posts, eliminating virtually all potential sources of interference and producing a sonically faster transient response. |
Gain section using a Crystal microprocessor functioning as a “shunt to ground” that doesn’t degrade sonic performance regardless of the setting. |
One single-ended audio input which bypasses the gain stage to accomodate a component, such as a home-theatre processor, whose own volume control is used instead. |
Amplifier section using a “no overall feedback” design resulting in real-time amplification, more accurate musical reproduction with respect to tonality, virtually non-existent intermodulation distortion and the elimination of common phase errors resulting from feedback. |
Class A output to 5 watts to maintain efficiency. |
Precision matched Bipolar output devices which offer superb linearity throughout the entire audio frequency spectrum. |
Accurate matching of the high quality electronic components. |
A symmetrical circuit design. |
Pure copper circuit board tracings with extremely low impedance characteristics. |
Improved reliabilty through the elimination of moving parts. |
Designed to be powered up at all times for optimal performance. |
Low operating temperature for a longer than normal life expectancy.
|
After years of research, Simaudio launched its reference-grade series of audio products, aptly named the MOON Series. Utilizing many new in-house developed technologies and building on the immensely successful Celeste products, the MOON series was considered by many to be the pinnacle of what is achievable when innovation meets technological creativity.
The MOON i-5 integrated amplifier combines numerous technologies such as our proprietary “Advanced Renaissance” amplifier technology which eliminates feedback; a preamplification section using “Class A” dual-mono circuit topology and extremely rigid extruded aluminum chassis construction.
An oversized power supply. |
A custom proprietary toroidal transformer design with lower magnetic, electrical and thermal loss, yielding an improved power transfer and lower regulation factor, resulting in increased current speed and better dynamics. |
An extremely short capacitor-free signal path measuring only 15 inches in length from input RCA’s to output binding posts, eliminating virtually all potential sources of interference and producing a sonically faster transient response. |
Amplifier section using a “no overall feedback” design resulting in real-time amplification, more accurate musical reproduction with respect to tonality, virtually non-existent IMD (intermodulation distortion) and the elimination of common phase errors resulting from feedback. |
Gain section using a Crystal microprocessor functioning as a “shunt to ground” that doesn’t degrade sonic performance regardless of the selected setting. |
‘Class A” output power to five watts for greater efficiency. |
One single-ended audio input which bypasses the gain control stage to accomodate a component, such as home-theatre processor, whose own volume control is used instead. |
Precision matched Bipolar output devices which offer superb linearity throughout the entire audio frequency spectrum. |
Accurate matching of the very finest high quality electronic components. |
A symmetrical circuit design. |
Pure copper circuit board tracings with extremely low impedance characteristics. |
Extremely rigid chassis construction to minimize the effects of external vibrations. |
Improved reliabilty through the elimination of moving parts. |
Designed to be powered up at all times for optimal performance. |
Low operating temperature for a longer than normal life expectancy. |
MAGAZINE | REVIEWER | DATE / ISSUE |
Audio Music (Russia) | Staff | 3/2001 |
audioMusings (USA) | Staff | Dec. 1998, No. 5 |
The Audiophile Voice (USA) | George Graves | Vol. 6 No. 3 |
Audio Video (Indonesia) | Tim Avi | July 2004 |
Bound For Sound (USA) | Martin deWulf | 10/98 |
Fi Magazine (USA) | Robert Harley | February 1999 |
Haute Fidelite (France) | Z.Bourjet & L.Thorin | December 2004 LE Version |
Haute Fidelite (France) | Z.Bourjet & L.Thorin | June 2003 |
Haute Fidelite (France) | Herve Benichou | July 1998 |
HI-FI Choice (United Kingdom) | Jason Kennedy | April 2003 #240 |
Hi-Fi News (United Kingdom) | Ken Kessler | May 2002 |
hi-fi+ (United Kingdom) | Chris Thomas | September 2005 #40 |
hi-fi+ (United Kingdom) | Chris Binns | Feb/March 2000 #5 |
HiFi Review (Hong Kong) | Staff | March 2004 #213 |
HiFi Review (Hong Kong) | Staff | April 2002 #191 |
HI-FI WORLD (United Kingdom) | David Price | May 2002 |
hxos (Greece) | Staff | May 2002 #350 |
The Inner Ear Report (Canada) | Ernie Fisher | 1998 – Vol. 10 #4 (www) |
Secrets of Home Theater & High Fidelity | Arvind Kohli | October 2002 (www) |
Son & Image (Canada) | Staff | 2004 Vol. 6 no. 1 LE Version |
SoundStage! (www) | Doug Schneider | May 1999 (www) |
Stereo (Germany) | Holger Barske | March 2004 |
Stereophile (USA) | Chip Stern | July 2002 (www) |
UHF Magazine (Canada) | Gerard Rejskind | Vol. 56 – 1999 |
What Hi*Fi? (Russia) | Staff | March 2004 LE Version |
The MOON W-5 was a balanced differential dual-mono power amplifier that produces 190 watts per channel into 8 ohms, 380 watts into 4 ohms and could be configured for mono operation. Employing our “Advanced Renaissance” technology featuring a “no overall feedback” circuit and bipolar output devices, the W-5 produced a warm, grain free sound common to some of the very best tube amplifiers, but had the reliability of solid state designs.
A “no overall feedback” design resulting in real-time amplification, a more accurate musical reproduction with respect to tonality, virtually non-existent intermodulation distortion and the elimination of common phase errors resulting from feedback. |
An oversized power supply. |
A custom proprietary toroidal transformer design with lower magnetic, electrical and thermal loss, yielding an improved power transfer and lower regulation factor, resulting in increased current speed and better dynamics. |
Fully balanced circuitry up to the output stage. |
Stable to any known speaker impedance. |
“Class A” output to 5 watts for greater efficiency. |
Precision matched and fully decoupled Bipolar output devices which offer superb linearity throughout the entire audio frequency spectrum. |
A high damping factor which yields superior musical dynamics, improved signal speed and refined timbre accuracy. |
Extremely rigid chassis construction to minimize the effects of external vibrations. |
Accurate matching of the highest quality electronic components to tolerances as low as 0.01%. |
A very short signal path for a faster transient response. |
A symmetrical circuit design. |
Optional 12 Volt trigger for remote operations. |
Pure copper circuit board tracings with extremely low impedance characteristics. |
Designed to be powered up at all times for optimal performance. |
Low operating temperature for a longer than normal life expectancy. |
MAGAZINE | REVIEWER | DATE / ISSUE |
The Absolute Sound (USA) | Anna Logg | Issue 130 – 2001 |
Alta Fidelidad (Spain) | Staff | No. 138 – Nov. 2002 |
AUDIO (Norway) | Roy Ervin Solstad | September 2004 |
Audio Accessory (Japan) | Staff | Autumn 1997 |
Audio Music (Russia) | Staff | 3/2001 |
The Audiophile Voice (USA) | Les Turoczi | Vol. 4 No. 6 |
Audiophilia (www) | Andrew Chasin | March 1998 |
Extreme Audio Video (Greece) | Stathi Aspiotis | February 2002 #35 |
Haute Fidelité (France) | Zacharie Bourjet | November 2002 |
HI-FI Journal (Russia) | Staff | # 4 (33) 2000 |
hi-fi+ (United Kingdom) | Roy Gregory | June/July 2000 #7 |
HiFi Review (Hong Kong) | Staff | November 2000 #174 |
The Inner Ear Report (Canada) | Ernie Fisher | 1997 – Vol. 9 #3 |
International Audio Review (USA) | Peter Moncrieff | January 1999 #80 (www) |
Journey To Sound (Hong Kong) | Die Walkure | September 2000 |
New Audiophile (Hong Kong) | Staff | August 2002 |
Positive Feedback (USA) | David Robinson | 1999 – Vol. 8, #2 |
SoundStage! (www) | Marc Mickelson | February 2000 (www) |
Stereo & Video (Russia) | Artjom Avatinjan | March 2001 |
Stereophile (USA) | Kalman Rubinson | May 2001 Follow-Up (www) |
Stereophile (USA) | Kalman Rubinson | March 1999 (www) |
StereoSound (Japan) | Staff | 1997 – #123 |
UHF Magazine (Canada) | Gerard Rejskind | Vol. 70 – 2004 LE Version |
UHF Magazine (Canada) | Gerard Rejskind | Vol. 49 – 1997 |
YK Audio (Hong Kong) | Staff | June 2004 LE Version |
YoHiFi (China) | James Chung | December 2000 |
home-theater systems
With the rapidly increasing popularity of high-performance Home-Theater systems, Simaudio introduced the MOON Titan multi-channel amplifier, the first amplifier in our MOON A/V Series. Bringing years of award winning amplifier design “know-how” to the table, our design team created one of the very first high powered multi-channel amplifiers with a thermally interconnected chassis to ensure exceptional sonic performance across all channels at all times. The Titan has earned a universal reputation as the finest amplifier of its kind and can be found in countless reference grade multi-channel systems worldwide.
The MOON ROCK was a fully balanced differential mono-block amplifier that produced an ultra-high-current output signal to a maximum continuous rating of 1000 watts into 8 ohms and 2000 watts into 4 ohms, and was easily capable of effortlessly driving any loudspeaker. Using 32 bipolar output devices in conjunction with internal electronic component matching to exceptionally low tolerances, the ROCK pushed the boundaries of solid-state amplifier design at the outset of the new millennium,. With a very strong emphasis on form and finish, this amplifier included a customized 2 inch thick solid granite base, weighing in at over 120 lbs., as well as an anodized top cover.
A custom proprietary toroidal transformer design with lower magnetic, electrical and thermal loss, yielding an improved power transfer and lower regulation factor, resulting in increased current speed and better dynamics. |
An oversized power supply. |
Fully balanced circuitry throughout the entire amplifier. |
Stable to any known speaker impedance. |
“Class A” output to 20 watts for greater efficiency. |
Virtually non-existent inter-modulation distortion. |
Extremely fast circuitry yielding real-time amplification. |
Mechanical grounding accomplished through the use of a solid granite base. |
Precision matched and fully decoupled Bipolar output devices which offer superb linearity throughout the entire audio frequency spectrum. |
A high damping factor which yields superior musical dynamics, improved signal speed and refined timbre accuracy. |
Extremely rigid chassis construction to minimize the effects of external vibrations. |
Accurate matching of the highest quality electronic components to tolerances as low as 0.01%. |
A very short signal path for a faster transient response. |
A symmetrical circuit design. |
Pure copper circuit board tracings with extremely low impedance characteristics. |
A 12 Volt trigger for remote operations. |
Two pairs of high quality binding posts to facilitate bi-wiring. |
Designed to be powered up at all times for optimal performance. |
Low operating temperature for a longer than normal life expectancy. |
MAGAZINE | REVIEWER | DATE / ISSUE |
AVguide.com (www) | Scot Markwell | May 2002 |
HiFi Review (Hong Kong) | Staff | August 2002 #195 |
Stereophile (USA) | Brian Damkroger | September 2005 (www) |
The MOON Attraction 7.1 went far beyond the original Attraction by offering 8 fully balanced differential channels of output. Using the very best digital audio technologies available at the time, in conjunction with the numerous software modes offered by Dolby Laboratories and DTS, the Attraction 7.1 provided “state of the art” surround sound processing, digital-to-analog conversion and digital preamplification.
Four Burr Brown PCM1732U 24-bit/96kHz DACs. |
Easy upgrade path based on “open-architecture” circuitry. |
Full-function IR remote (programmable with macro capabilities). |
High-order (4th) crossover network based on Zoran 38600® chip-set. |
Crystal CS3310 digital volume controls (4) with switched resistive array technology. |
20-bit delta-sigma Crystal CS4226 Analog-to-Digital converter. |
AutoSetup™ software for speaker calibration (level, delay & phase). |
CinEQ™ Multi-Channel cinema equalization for “overly bright” soundtracks. |
12 Volt DC trigger for remote operations. |
3 sets of analog Pass-Through inputs. |
Bass Management for 2-channel and digital inputs. |
Front panel controls for volume, muting, input and mode selection. |
RS232 port for serial communications. |
Integrated video switching via 6 inputs (S-Video and Composite). |
Extremely rigid chassis construction to minimize the effects of external vibrations. |
Improved reliability through the elimination of moving parts. |
Designed to be powered up at all times for optimal performance. |
Low operating temperature for a longer than normal life expectancy. |
The Absolute Sound (USA) | Anna Logg | Issue 131 – 2001 |
Alta Fidelidad (Spain) | Staff | No. 138 – Nov. 2002 |
Audio Accessory (Japan) | Staff | Autumn 1997 |
Audio Music (Russia) | Staff | 3/2001 |
Audiophile (Hong Kong) | Staff | November 2000 |
The Audiophile Voice (USA) | Les Turoczi | Vol. 4 No. 6 |
Haute Fidelité (France) | Zacharie Bourjet | November 2002 |
HI-FI Journal (Russia) | Staff | # 4 (33) 2000 |
hi-fi+ (United Kingdom) | Roy Gregory | June/July 2000 #7 |
HiFi Review (Hong Kong) | Staff | November 2000 #174 |
hxos (Greece) | Christos Tsiatis | October 2001 #343 |
The Inner Ear Report (Canada) | Ernie Fisher | 1997 – Vol. 10 #1 (www) |
International Audio Review (USA) | Peter Moncrieff | January 1999 #80 (www) |
Journey To Sound (Hong Kong) | Die Walkure | September 2000 |
Positive Feedback (USA) | David Robinson | 1999 – Vol. 8, #2 |
SoundStage! (www) | Doug Schneider | December 1999 (www) |
Stereo & Video (Russia) | Artjom Avatinjan | March 2001 |
Stereophile (USA) | Kalman Rubinson | July 2002 Follow-Up (www) |
Stereophile (USA) | Kalman Rubinson | March 1999 (www) |
StereoSound (Japan) | Staff | 1997 – #123 |
UHF Magazine (Canada) | Gerard Rejskind | Vol. 50 – 1997 |
YoHiFi (China) | Samuel | March 2001 |
YoHiFi (China) | James Chung | December 2000 |
anniversary
To celebrate our 25th anniversary in 2004, we recognized the success of the Nova and Eclipse Disc Players, P-5 preamplifier, W-5 power amplifier and i-5 integrated. To that end, we ran a special production of 250 special units of each model, and became the MOON Limited Edition series. Each model featured circuit enhancements to raise the performance bar in addition to special cosmetics. Owning one is much like owning a unique piece of history.
Like its predecessors, the MOON Calypso offered extreme flexibility; it could be purchased as either a DVD Transport or a DVD Player, the latter including an optional audiophile-grade D/A converter and analog audio stage. To further enhance this modular concept, an optional DVI-D output circuit was available for the best possible video signal. Either or both of these options can be purchased with the transport or as an upgrade. Both a 480p progressive scan line doubler circuit (NTSC Only) using Faroudja’s DCDiä (Diagonal Correlation Deinterlacing) technology and a Serial Digital Interface (SDI) video output were included as a standard features. Housed in an attractive and rigid chassis with multiple massive power supplies, the MOON Calypso was a DVD Transport/Player that represented true state-of-the-art video and audio performance.
Dual toroidal transformer power supply dedicated to digital (SDI, DVI, D/A) and analog (audio and video) circuitry. |
Ultra-fast switch-mode power supply for controller circuitry and drive mechanism, housed in an integral shield to prevent any degrading noise leakage. |
Up to 16 stages of voltage regulation depending on installed options. |
Professional-grade BNC progressive component video outputs. |
Interlaced RCA component, S-Video and RCA composite video outputs. |
Optional 2 channel analog stage and audiophile-grade 24-bit/192kHz D/A converter with 8X oversampling digital filter. |
Professional-grade 75-ohm BNC S/PDIF digital audio output and Toslink digital output. |
Ultra-rigid chassis construction to eliminate noise caused by vibration. |
Rack-mount-ready faceplate with removable aluminum cheeks covering the holes when not in use. |
Philips SD3 High-performance transport mechanism with dual-laser pickup. |
10-bit/54MHz oversampled video with active current-to-voltage converter and phase accurate analog filtering. |
Full function bi-directional RS-232 port control and status for custom integration or automation. |
Support for both NTSC and PAL video formats. |
SRS Labs TruSurround™ 3D surround DSP effects for optional analog audio outputs. |
“Parental Control” setting to allow authorized access to specific DVD-Video discs. |
FTS (Favorite Track Selection) programming to customize the playback of individual DVD-Videos and audio CD’s. |
Accurate matching of the highest quality electronic components. |
Very short signal paths to maintain the integrity of audio and video information. |
Pure copper circuit board tracings with extremely low impedance characteristics. |
Designed to be powered up at all times for optimal performance. |
Low operating temperature for a longer than normal life expectancy. |
of MOON
Addressing the other end of the price scale, a new series of MOON components became a reality. The “1” series offers an unprecedented level of performance at a cost that was previously unattainable in the world of high-performance audio. This significant milestone is due largely as a result of our many years of successful R&D, allowing us to offer what is commonly referred to as “trickle-down technology”, albeit augmented by our manufacturing know-how in Boucherville, Quebec.
The MOON P5.3 Preamplifier follows in the footsteps of the legendary and award-winning P-5. It employs numerous technologies from our Evolution series. Featuring five line-level inputs, a user-configurable “home-theater ready” input, an IR input for external control and a 12V trigger for convenient operation, the P5.3 Preamplifier offers a level of sonic performance and flexibility that the competition can only hint at. Raising the bar even further, an optional internal phono preamp is available with adjustments for gain level as well as capacitance and resistance loading.
The SE version features an upgraded volume circuit with a greater range of volume steps (0 to 99) compared to the original version (0 thru 50). The SE version offers tighter matching and tolerances for certain critical electronic parts.
IR input for external control (all discrete codes). |
One line input which bypasses the gain control stage to accomodate a component, such as a home-theatre processor, whose own volume control is used instead. |
An extremely short capacitor-free signal path measuring only 10 inches in length from input to output connectors, eliminating virtually all potential sources of interference and producing a sonically faster transient response. |
An oversized power supply with 3 stages of DC voltage regulation. |
Open loop zero feedback circuit topology using absolutely no capacitors anywhere in the audio signal path. |
Power supply voltage regulation includes Evolution series i²DCf (Independant Inductive DC Filtering); there is one inductor dedicated to each integrated circuit type component (DAC, Op-Amp, etc.) in the audio circuit’s signal path – 14 stages. |
Accurate matching of the very finest high quality electronic components. |
A symmetrical circuit design. |
4-Layer PCB’s with pure copper tracings for a much shorter signal path; this results in greater sonic accuracy and a dramatically improved signal-to-noise ratio. |
Extremely rigid chassis construction to minimize the effects of external vibrations. |
Improved reliability through the elimination of moving parts. |
Designed to be powered up at all times for optimal performance. |
Includes FRM-2 remote control. |
MAGAZINE | REVIEWER | DATE / ISSUE |
Audiophile (Hong Kong) | Staff | January 2009 RS version |
Haute Fidelité (France) | Laurent Thorin | May 2007 |
Québec Audio/Video (Canada) | Francois Gagné | April/May 2007 Vol. 14 no. 2 |
SoundStage! (www) | Dan Davis | October 2007 (www) |
The MOON W5.3 Differential power amplifier produced 150 watts per channel into 8 ohms, 300 watts into 4 ohms and could be configured for mono operation. Employing our world-renowned “Advanced Renaisance” amplification circuit, the W5.3 produces a warm, grain free sound common to some of the very best tube amplifiers, but has the reliability of solid state designs.
The SE version produces 175 watts into 8 ohms, 350 watts in to 4 ohms and 700 watts in bridged mono configuration. It also uses MOON Bipolar output transistors with unprecedented gain linearity resulting in improved bass response and even more accurate sonic reproduction. Also unique to the SE version are tighter matching and tolerances for certain critical electronic parts.
A “no overall feedback” design resulting in real-time amplification, a more accurate musical reproduction with respect to tonality, virtually non-existent intermodulation distortion and the elimination of common phase errors resulting from feedback. |
An oversized power supply. |
A custom proprietary toroidal transformer design with lower magnetic, electrical and thermal loss, yielding an improved power transfer and lower regulation factor, resulting in increased current speed and better dynamics. |
Fully balanced circuitry up to the output stage. |
Stable to any known speaker impedance. |
“Class A” output to 5 watts for greater efficiency. |
Precision matched and fully decoupled Bipolar output devices which offer superb linearity throughout the entire audio frequency spectrum. |
A high damping factor which yields superior musical dynamics, improved signal speed and refined timbre accuracy . |
Extremely rigid chassis construction to minimize the effects of external vibrations. |
Accurate matching of the highest quality electronic components to tolerances as low as 0.01%. |
A very short signal path for a faster transient response. |
A symmetrical circuit design. |
Optional 12 Volt trigger for remote operations. |
Pure copper circuit board tracings with extremely low impedance characteristics. |
Designed to be powered up at all times for optimal performance. |
Low operating temperature for a longer than normal life expectancy. |
MAGAZINE | REVIEWER | DATE / ISSUE |
Audiophile (Hong Kong) | Staff | January 2009 RS version |
Haute Fidelité (France) | Laurent Thorin | May 2007 |
Québec Audio/Video (Canada) | Francois Gagné | April/May 2007 Vol. 14 no. 2 |
SoundStage! (www) | Dan Davis | October 2007 (www) |
Evolution series
We’ve brought the MOON Evolution series to the next level with the introduction of multi-channel components. The level of performance offered here, simply put, raises the bar to a previously unimaginable level and redefines what is commonly referred to as the state-of-the-art. The MC-8 Multi-Channel Power Amplifier is considered by many to simply be the finest home theater amplifier ever created. It picked up where the Titan left off…and greatly surpassed it.
Intended to fulfill the demands of the most discerning music connoisseur, the 750D is a fully balanced design featuring our own M-AJiC32 circuitry (an asynchronous jitter elimination system) built around the ESS Technology SABRE-32 Reference Audio DAC. The conversion process uses an astonishing 8 DAC’s per channel working in 32-bit Hyperstream™. The final result is previously unattainable musical reproduction from digital media, be it a CD, computer, music server, etc. The MOON 750D will bring you closer to the music than ever before, offering plenty of flexiblity while exemplifying seamless luxury.
The back panel features a complete array of digital input (4) and output (2) connections to meet all the needs of today’s ever-widening technologies. The front panel includes a disc drawer for our own proprietary drive mechanism. As well, an optional outboard power supply (820S) is available to further enhance the performance of the MOON 750D.
Of course, all of the signature features you would expect in a MOON Evolution series digital product are present: our revolutionary M-Quattro floating suspension, SimLink™, i²DCf, just to name a few, as well as both RS-232 and IR ports for custom-install environments.
The world’s first true 32-bit asynchronous Digital-to-Analog converter. |
ESS Technology SABRE32 eference DAC / Digital Filter (ES9018S) working in 32-bit Hyperstream™ to achieve unprecedented jitter immunity and low-level linearity via a patented Time Domain Jitter Eliminator. |
Digital Audio Signal Processing with M-AJiC32 (MOON Asynchronous Jitter Control in 32-bit mode). |
A virtually jitter-free digital clocking system. |
Proprietary CD drive system mounted on our M-Quattro gel-based 4-point floating suspension for vibration damping, allowing ambient & spatial cues in your recordings to come to life like never before; the fifth digital input. |
Fully balanced differential digital and analog circuitry in a dual-mono design. |
Separate digital & analog power supplies using independent toroidal transformers. |
Power supply voltage regulation includes i²DCf (Independent Inductive DC Filtering); there is one inductor dedicated to each integrated circuit type component (DAC, Op-Amp, etc.) in the audio circuit’s signal path; 24 stages in all. |
A very short capacitor-free signal path using a DC servo circuit and proprietary 18dB/octave analog filter. |
RS-232 port for (i) full unsolicited bidirectional feedback and (ii) firmware updates. |
IR input for external control. |
SimLink™ controller port for 2-way communications with other compatible MOON components. |
4-Layer printed circuit boards with pure copper tracings for a much shorter signal path; this results in greater sonic accuracy and a dramatically improved signal-to-noise ratio. |
Ultra rigid chassis construction to minimize the effects of external vibrations. |
Accurate matching of the very finest quality electronic components in a symmetrical circuit design. |
Includes FRM-3 remote control. |
MAGAZINE | REVIEWER | DATE / ISSUE |
PRO High-End (Russia) | Vladislav Chermoshentsev | August 2014 #28 |
What Hi*Fi? (Russia) | staff | February 2013 |
Audio & Video (Brazil) | Staff | September 2012 – #182 |
Hi-Fi.ru (Russia) | Staff | May 2012 |
Dagogo (www) | Douglas Schroeder | January 2012 |
hxos (Greece) | Staff | August 2011 #461 |
Hi-Fi & Hi-Vi Monthly (Taiwan) | Staff | June 2011 #369 |
WitchDoctor.co.nz (New Zealand) | Gary Pearce | May 2011 |
u-audio (Taiwan) | Staff | April 2011 |
Audiophile (Thailand) | staff | December 2010 |
Australian hi-fi | Edgar Kramer & Steve Holding | September/October 2010 |
Audio Basic (Japan) | Mitsugu Kobayashi | Fall 2010 Vol. 56 |
Stereo Sound (Japan) | Miura Dakahito | Fall 2010 #176 |
Audio Accessory (Japan) | Mitsugu Kobayash | Fall 2010 #138 |
Audio Magazine (Russia) | staff | August/Sept. 2010 # 4 (93) |
TONEAudio (www) | Jeff Dorgay | August 2010 – # 31 |
Music and Emotion (Netherlands) | Werner Ero | July/August 2010 7/8-10 |
Hi-Fi News (United Kingdom) | Keith Howard | July 2010 |
Ecoutez Voir (France) | Antoine Gresland | July 2010 |
MY-HIEND (Taiwan) | Leo Yeh | June 2010 |
SoundStage! UltraAudio (www) | Jeff Fritz | June 2010 |
AUDIO (Germany) | Bernhard Rietschel | May 2010 |
Audiotechnique (Hong Kong) | staff | May 2010 No. 344 |
HI-FI Choice (Poland) | Staff | May 2010 |
HI-FI Choice (UK) | Jason Kennedy | April 2010 |
Quebec Audio/Video (Canada) | Michel Dallaire | April/May 2010 |
image hifi (Germany) | Jürgen Schröder | March 2010 #93 |
Stereo & Video (Russia) | staff | March 2010 #181 |
hifi & records (Germany) | Heinz Gelkin | February 2010 |
AudioArt (Taiwan) | Staff | February 2010 #257 |
Audio Review (Italy) | Roberto Lucchesi | February 2010 #308 |
The MOON CP-8 is a genuine flagship Surround Preamplifier / Processor, aimed at the uncompromising enthusiast without price constraints. Designed with sound quality first and foremost in mind, the CP-8 provides a previously unimagineable level of sonic purity and realism from an audio/video product. A monumental obstacle that has been overcome by our dedicated engineering staff was the successful implementation of the most recent advancements in both HD video and digital audio decoding technologies. Coupled with our state-of-the-art analog circuitry, the MOON CP-8 is foolproof yet simple to operate.
Nearly 2 years of research and development were invested into the design of the CP-8 by people who are passionate about, and inspired by, both film and music. The ultimate goal was to fully redefine the home-theater experience. The result can be best described as a flawless nerve center for the most sophisticated and high-performance audio/video systems, regardless of the source material. Each experience will leave you utterly breathless and yearning for your next home entertainment indulgence.
7.1 Channels with up-to-date HD audio and video decoding. |
HDMI 1.3a inputs and output. |
Three-zone multiple source capability. |
HD Video Circuitry using 12-bit/216MHz encoders/decoders with NSV Precision Video using Faroudja DCDi video processing, 1080p video pass-through, and up to 1080p analog-video-to-HDMI upscaling. |
Full-function programmable remote-control with touch-screen. |
An oversized power supply with 2 transformers (1 proprietary toroidal for analog audio circuitry). |
Power supply voltage regulation includes 20 stages of i²DCf (Independant Inductive DC Filtering). |
6 assignable digital audio inputs. |
Secondary remote control for basic operation. |
Hidden control panel allows for full operation and setup without a remote control. |
10 DSP simulation playback Modes. |
Auto Surround Mode for Digital & Analog inputs. |
2 subwoofer outputs. |
Three user-selectable muting levels. |
“Auto Setup Calibration” (w/ microphone); Auto & Manual room calibration. |
Audyssey “MultEQ XT” with “Dynamic Volume” and “Dynamic EQ”. |
Crossover points at 40, 60, 80, 100, 120, 150 & 250Hz in either 12 dB or 24dB steps. |
Built-in AM/FM Tuner and RIAA Phono Section (MM). |
SIRIUS and XM Satellite Radio ready. |
Short signal paths for a faster transient response. |
RS-232C and serial IR ports for full custom external control. |
Dual assignable 12 Volt trigger outputs. |
Ultra rigid chassis construction to minimize the effects of external vibrations. |
MAGAZINE | REVIEWER | DATE / ISSUE |
CEC (Spain) | Luis Llana | March 2009 #65 |
Hi Fi Review (Hong Kong) | Staff | August 2010 #290 |
PRIME A/V (Taiwan) | Staff | March 2010 #179 |
u-audio (Taiwan) | Staff | April 2010 |
anniversary
We began 2010 by celebrating our 30th anniversary. To mark this significant milestone we produced a limited edition run of 30 units of each of the MOON 600i Integrated Amplifier and MOON 750D CD Transport/DAC. These 30th Anniversary models featured a high gloss Ferrari red chassis, polished chrome faceplates, legs and accents. The 750D was the very first true 32-bit asynchronous DAC available in the consumer marketplace and was met with very high global acclaim. In addition, each of these 30 highly coveted pieces were sold with a 30-year warranty.
The MOON 340i X is rated at 100 watts/channel into 8ohms 200 watts/channel into 4ohms. It has received numerous recognition from international press as Best in Class, 5 Stars rating from What Hi-Fi?, 5 Globes from Hi-World, and several others.
A massive oversized power supply using a custom toroidal transformer design. |
5 line-level inputs including a front-mounted 1/8″ mini-jack for personal media players. |
Headphone output on 1/4″ TRS jack located on the front panel. |
One audio input which functions as a “pass-through”, bypassing the gain stage to accommodate a component such as a home-theater processor, whose own volume control is used instead. |
Proprietary MOON Bipolar output transistors with unprecedented gain linearity resulting in improved bass response and even more accurate sonic reproduction. |
“Class A” output to 5 watts for greater efficiency. |
12 Volt trigger output for remote operations. |
RS-232 port for (i) full unsolicited bidirectional feedback and (ii) firmware updates. |
IR input for external control. |
SimLink™ controller port for 2-way communications with other compatible MOON components. |
Rigid chassis construction to minimize the effects of external vibrations. |
Optimized selection of very high quality electronic components. |
Low operating temperature for an ultra-long life expectancy. |
Includes CRM-2 remote control. |
MAGAZINE | REVIEWER | DATE / ISSUE |
The Absolute Sound (USA) | Neil Gader | December 2009 – Issue #198 |
Audio & Video (Brazil) | Rodrigo Moraes | November 2010 – #162 |
AudioEnz (New Zealand) | Michael Wong | March 2010 |
Audio Magazine (Korea) | Staff | October 2011, March 2011 |
Audio Magazine (Russia) | Staff | 2009 # 5 (88) |
Audiophile (Hong Kong) | Staff | May 2009 |
audiOphile (Thailand) | Staff | September 2009 |
Audiotechnique (Hong Kong) | Staff | July 2014 #394 |
Australian hi-fi | Steve Holding | March/April 2013 |
fairaudio (Germany) | Ralph Werner | May 2010 |
GM2000 (Thailand) | Staff | July 2010 #160 |
Hi-Files (Serbia) | Zoran Karapandzic | November 2009 No. 32 |
hifi & records (Germany) | Heinz Gelking | August 2009 |
HI-FI Choice (United Kingdom) | Richard Black | July 2011 |
Hi Fi Music (Israel) | Alon Golan | October 2010 |
Hi Fi Review (Hong Kong) | Staff | April 2009 #274 |
HI-FI WORLD (United Kingdom) | Andrew Harrison | May 2009 |
Home Entertainment (USA) | Geoffrey Morrison | May/June 2009 |
Quebec Audio/Video (Canada) | Michel Dallaire | August/September 2009 |
SoundStage! GoodSound (www) | Philip Beaudette | June 2009 |
Stereo (Germany) | Carsten Barnbeck | May 2010 |
Stereophile (USA) | Stephen Mejias | February 2011 – Follow-Up |
Stereophile (USA) | Eric Lichte | November 2010 |
StereoPlay (Germany) | Staff | January 2013 |
What Hi*Fi? (United Kingdom) | Staff | April 2009 |
What Hi*Fi? (Russia) | Staff | April 2009 |
yam – hifihivi (www) (Taiwan) | Pu Hongqing | June 2011 |
Like all Neo models, the Neo 350P borrows aesthetically and technologically from the flagship Evolution Series. When married to one of our Neo power amplifiers, the combination is a true step up from the integrated amplifiers, providing you with even more of everything: stunning musical realism, dynamics, harmonic richness and accuracy. If you are a headphone fanatic, you will appreciate the extremely-well executed, high-end discrete headphone amplifier section.
The Neo 350P is available with two options, which can be included at the time of purchase or added later on. A high-performance and very versatile DAC is offered for connectivity to your latest devices: a computer, DVD/Blu-Ray player or an iPod docking station. If you have a love for spinning your cherished collection of vinyl, a fully-configurable MC/MM phono stage is also available.
Of course, key features you’d expect in a MOON Neo Series product are present such as SimLink™, 12V trigger, RS-232 and IR ports for custom-install environments.
An oversized power supply using 2 toroidal transformers in conjunction with 3 stages of DC voltage regulation. |
7 line-level inputs (4 Single-ended & 2 balanced) including one front-mounted 1/8″ mini-jack for personal media players. |
Discrete headphone amplifier circuit with the output on 1/4″ TRS jack located on the front panel. |
One audio input which functions as a “pass-through”, bypassing the gain stage to accommodate a component such as a home-theater processor, whose own volume control is used instead. |
A full-function monitor loop |
Fixed (single-ended) and Variable (balanced & single-ended) line level outputs. |
12 Volt trigger output for remote operations. |
RS-232 port for (i) full unsolicited bidirectional feedback and (ii) firmware updates. |
IR input for external control. |
SimLink™ controller port for 2-way communications with other compatible MOON components. |
A symmetrical circuit design. |
Rigid chassis construction to minimize the effects of external vibrations. |
Optimized selection of very high quality electronic components. |
Designed to be powered up at all times for optimal performance. |
Includes CRM-3 remote control. |
MAGAZINE | REVIEWER | DATE / ISSUE |
Fullrange.kr (Korea) | Ju Gi-Pyo | June 2016 |
HDAV China | Deng Guanqi | May 2016 |
SoundStage! (www) | Erich Wetzel | March 2016 |
HomeTheater (Hong Kong) | Staff | November 2015 |
CANADA HiFi Magazine | George de Sa | February/March 2015 |
Hi-Files (Serbia) | Bojan Jovic | May 2014 #59 |
PRO High-End (Russia) | Staff | April 2014 #24 |
u-audio (Taiwan) | Staff | November 2013 |
Extremely powerful, yet with a delicacy and articulation of the best amplifiers out there, the Neo 400M can take on virtually any loudspeaker you connect it to. Delivering a bottom-end slam, with authority and weight to the foundation of the music, it will transport you into a live concert environment. On the top end of the musical spectrum, the Neo 400M delivers finesse, detail and refinement that can challenge your perception of reality vs. recorded music.
When used in conjunction with the Neo 350P Preamplifier, the results are without equal. There isn’t a more refined combination at this price point. An ultimate combination for the discerning music lover, and for those who like to listen at higher sound levels.
Of course, key features you’d expect in a MOON Neo Series product are present such as 12V triggers and an RS-232 port for custom-install environments.
A “no overall feedback” design resulting in genuine real-time amplification, a more accurate musical reproduction with respect to tonality, virtually non-existent intermodulation distortion and the elimination of common phase errors resulting from feedback. |
An oversized power supply. |
Custom proprietary toroidal transformer design with lower magnetic, electrical and thermal loss, yielding an improved power transfer and lower regulation factor. The result is increased current speed and better dynamics. |
Precision matched proprietary MOON Bipolar output transistors with unprecedented gain linearity, resulting in improved bass response and even more accurate sonic reproduction. |
A high damping factor for superior musical dynamics, improved signal speed and refined timbre accuracy. |
Fully balanced differential circuitry. |
“Class A” output to 10 watts for greater efficiency. |
12 Volt trigger input/output for remote operations. |
RS-232 port for (i) full unsolicited bidirectional feedback and (ii) firmware updates. |
Rigid chassis construction to minimize the effects of external vibrations. |
Optimized selection of very high quality electronic components. |
Low operating temperature for an ultra-long life expectancy. |
MAGAZINE |
REVIEWER |
DATE / ISSUE |
u-audio (Taiwan) | Staff | November 2013 |
Network Streamer
The first MOON Network Streamer is introduced. Poised and ready for the future, the technology is given the name MiND (MOON intelligent Network Device). MiND technology offers, beyond streaming that is also available from others, a level of control and performance unmatched by others.
The MOON 180MiND allows to link music libraries to your Hi-Fi system in the best way possible. Gone are compromises between quality and practicality. Apple & Android smartphone or tablet become the ideal remote control for a MOON system and allow to access music from your computers, NAS, mobile devices or internet.
The 180MiND outputs signal via all types of digital connections (Toslink, SPDIF on RCA, AES/EBU on XLR) for compatibility with all DACs. It allows to reach the maximum sonic potential of a very high end sound system the same way it would do from an entry level system.
The MiND’s SimLink connection allows to control any SimLink equipped MOON system to enhance ease of use without having to use the IR remote. Also, it can adjust the real volume control of a MOON system rather than doing digital attenuation like most others do. This allows to preserve full fidelity regardless of volume setting.
UPnP Renderer (Universal Plug & Play). |
DLNA 1.5 Compatibility. |
Online content from vTuner Internet Radio & “Music Services” upgrades. |
Local Playlists, Gapless Playback & Silent track scanning. |
File Support up to 24-bit/192kHz for all file formats. |
Supported file formats: Wave, FLAC, FLAC HD, AIF, AAC, ALAC, MP3 (vbr/cbr), WMA-9 ,OGG Vorbis. |
S/PDIF, TosLink & AES/EBU digital outputs. |
100Base-T RJ45 802.11 Ethernet interface & IEEE b/g/n Wi-Fi interface inputs. |
WEP, WPA, WPA2 Wi-Fi encryption support. |
MIND APPLICATION CONTROL FEATURES:
iPhone, iPad, iPod touch and Android compatible control software. |
Zone selection, zone grouping and Permanent zone naming. |
Independant control for each zone with SimLink™ equipped MOON Preamplifier or Integrated Amplifier. |
Note: The Wi-Fi protocol doesn’t support hi-resolution audio (anything higher than CD format’s 16-bit depth). As a result, you may encounter issues when attempting to wirelessly stream hi-res audio. This is not an issue caused by your MiND hardware or MiND app. |
MAGAZINE | REVIEWER | DATE / ISSUE |
HiFi Wigwam (www) | Jason Kennedy | October 2015 |
Culture HD (France) | Richard | June 2015 |
Audiophile (Thailand) | Tumnoon Prateepchinda | January 2015 |
Stereophile (USA) | Michael Lavorgna | January 2015 |
SoundStage! (www) | Aron Garrecht | October 2014 |
TONE Audio (www) | Andre Marc | October 2014 |
Suono (Italy) | Staff | June 2014 #488 |
AUDIO (Germany) | Bernhard Rietschel | May 2014 |
AudioStream.com (www USA) | Michael Lavorgna | February 2014 |
Hi-Files (Serbia) | Bojan Jovic | January 2014 #57 |
What Hi-Fi (Russia) | Staff | November 2013 |
Hi-Fi News (United Kingdom) | John Bamford | August 2013 |
GM2000 (Thailand) | Staff | May 2013 #194 |
Klub audiostereo (Poland) | Marcin Olszewski | March 2013 |
On Off (Spain) | Juan C. Munoz | March 2013 #246 |
The concept of MiND is simple: the future of music playback lies in the intuitive organization of a library, allowing for uncomplicated access to large collections of music that are managed with incredible ease-of-use and efficiency.
The ‘remote’ or control center of a MiND – based music streaming system is an iPad, iPhone or Android device. A downloadable application exists and requires very basic setup procedures. MiND is designed to allow a person with basic computer knowledge to take full command of a music library.